‘Who Invited Them’ Review: Dir. Duncan Birmingham [Shudder Saturday]

Director Duncan Birmingham makes the leap from short format to feature-length with Who Invited Them. The story sees a housewarming party take a dark turn when two guests refuse to leave.

‘The Lair’ Review: Dir. Neil Marshall [Shudder Saturday]

Co-written by Marshall and his lead, Charlotte Kirk, The Lair has been described as a combination of The Dirty Dozen and The Thing.

‘Speak No Evil’ Review: Dir. Christian Tafdrup [Shudder Saturday]

Have you ever been on holiday and connected, really bonded, with a set of complete strangers? There’s something about the shared serene experience of being away from home that makes people more open to making new friends, but See No Evil demonstrates the perils that this can bring.

‘Sorry About the Demon’ Review: Emily Hagins [Shudder Saturday]

Just by the title, Sorry About the Demon, the lighter tone of Emily Hagins’ film is set.

‘Crystal Lake Memories’ review: Dir. Daniel Farrands [Shudder Saturday]

Comprehensive is definitely a word that can be used to describe Daniel Farrands’ documentary, Crystal Lake Memories. Clocking in at just over six and a half hours, the film is an in-depth deep-dive into every chapter of Friday the 13th, including the television series and reboot.

‘VHS 99’ review: Dir. Misc [Shudder Saturday]

Over the last decade the V/H/S anthology series has become a staple of horror viewing.

‘Christmas Bloody Christmas’ review: Dir. Joe Begos [Shudder Saturday]

Christmas 2022 definitely appears to be the year of alternative festive films.

‘The Cleansing Hour’ review: Dir. Damien LeVeck [Shudder Saturday]

We’ve all seen plenty of films that deal with priests performing exorcisms.

‘Possessor’ review: Dir. Brandon Cronenberg [Shudder Saturday]

Hopefully you are settling down to read this review having already experienced Brandon Cronenberg’s sophomore project, Possessor, as it’s a film best viewed cold.

‘A Wounded Fawn’ review: Dir. Travis Stevens (2022) [Shudder Saturday]

In 2019, Travis Stevens, better known back then for producing films such as Cheap Thrills, Starry Eyes, and 68 Kill, stepped behind the camera to direct his debut feature, The Girl on the Third Floor.