After the success of Netflix’ Fear Street series, and with both Halloween Kills and Scream 5 on the horizon, we are once more in the throes of a slasher revival.
Category Archives: Reviews
‘Sound of Violence’ Review: Dir. Alex Noyer [A Scare a Day]
Writer and director Alex Noyer expands upon the world set out in his short film Conductor, for debut feature, Sound of Violence.
‘V/H/S/94’ Review: Dirs. Misc [A Scare a Day]
The original V/H/S movie back in 2012 was one of the early pioneers that helped resurrect the horror anthology format. Since then we have had two further instalments (V/H/S/2 and V/H/S/Viral) with the latest chapter, V/H/S/94, having just debuted at Fantastic Fest.
‘Dementer’ Review: Dir. Chad Crawford [A Scare a Day]
After a traumatic experience with a cult, Katie (Katie Groshong) is trying to turn her life around. The first step on her road to recovery sees her taking a job in a home for special needs adults.
’Freaky’ Review: Dir. Christopher Landon [A Scare a Day]
© 2020 UNIVERSAL STUDIOS Who knew that what the world needed was a body-swap film that was a cross between Friday the 13th and Freaky Friday? Filmmaker Christopher Landon and his writing partner Michael Kennedy are who, and Freaky is the film.
‘The Old Ways’ Review: Dir. Christopher Alender [A Scare a Day]
The demonic possession tale is one that has been recounted on screen for decades thanks to the success and infamy of The Exorcist.
‘Psycho Goreman’ Review: Dir. Steve Kostanski [A Scare a Day]
On Shudder now and released on Blu-ray on Monday 4th October.
‘Come True’ Review: Dir. Anthony Scott Burns
Anthony Scott Burns is both a filmmaker and a musician, both skills are married together exquisitely in his latest feature film, Come True.
Friday Night Frights: ’68 Kill’
Although not strictly a horror film, 68 Kill most definitely links into the darker side of films,
Friday Night Frights: ‘Midsommar’
The theme of July’s Friday Night Fright picks are films that are set more in the day than the night, and you can’t get a more daytime-set horror than Ari Aster’s Midsommar.
