Reviews
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‘Jurassic World: Rebirth’ review: Dir. Gareth Edwards
The dinosaurs return for a seventh film in Jurassic World: Rebirth. Read more
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‘Mission Impossible: Final Reckoning’ review: Dir. Christopher McQuarrie
Tom Cruise is back for one last jaunt as Ethan Hunt. Read more
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The Crow (2024) Review: Dir. Rupert Sanders
Bill Skarsgård and FKA Twigs sizzle in Rupert Sanders’ The Crow, Read more
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Fast X Review: Dir. Louis Leterrier
The cult with cars continues to up the ante. Read more
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Beau is Afraid Review: Dir. Ari Aster
The third feature film from writer and director Ari Aster, Beau is Afraid is set to be his most divisive. Read more
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‘Knock at the Cabin’ review: Dir. M. Night Shyamalan
Director M. Night Shyamalan may have burst onto the movie scene on a high with The Sixth Sense, but since then his career has been a little up and down. For every Unbreakable there has been a The Last Airbender. With the smash success of Split, audiences had hoped that he was back on steady Read more
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‘Huesera’ Review: Dir. Michelle Garza Cervera
Stories about the plight of womanhood and horror go hand-in-hand; several aspects can easily be interpreted for the genre. Read more
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‘Evil Dead Rise’ Review: Dir. Lee Cronin
Lee Cronin’s debut feature, The Hole in the Ground, told of a mother whose child encountered something strange in the woods, and came back changed. Cronin now flips those roles as he tells of a mother who begins to behave in a peculiar manner in his second feature, Evil Dead Rise. Read more
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‘Infinity Pool’ Review: Dir. Brandon Cronenberg
David Cronenberg is a Canadian cult movie institution. A master of body horror and the strange, his filmography, which includes The Fly, Videodrome and Rabid have inspired a whole generation of filmmakers. Though no one has been more inspired than his own son, Brandon Cronenberg. Read more
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![‘Who Invited Them’ Review: Dir. Duncan Birmingham [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2023/02/who-invited-them-movie-review-2022.jpeg?w=1024)
‘Who Invited Them’ Review: Dir. Duncan Birmingham [Shudder Saturday]
Director Duncan Birmingham makes the leap from short format to feature-length with Who Invited Them. The story sees a housewarming party take a dark turn when two guests refuse to leave. Read more
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![‘The Lair’ Review: Dir. Neil Marshall [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2023/02/the-lair_pr-stills_14.jpg?w=1024)
‘The Lair’ Review: Dir. Neil Marshall [Shudder Saturday]
Co-written by Marshall and his lead, Charlotte Kirk, The Lair has been described as a combination of The Dirty Dozen and The Thing. Read more
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![‘Speak No Evil’ Review: Dir. Christian Tafdrup [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2023/01/unnamed.jpg?w=1024)
‘Speak No Evil’ Review: Dir. Christian Tafdrup [Shudder Saturday]
Have you ever been on holiday and connected, really bonded, with a set of complete strangers? There’s something about the shared serene experience of being away from home that makes people more open to making new friends, but See No Evil demonstrates the perils that this can bring. Read more
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![‘Sorry About the Demon’ Review: Emily Hagins [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2023/01/satd_0009-rt.jpg?w=1024)
‘Sorry About the Demon’ Review: Emily Hagins [Shudder Saturday]
Just by the title, Sorry About the Demon, the lighter tone of Emily Hagins’ film is set. Read more
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![‘Crystal Lake Memories’ review: Dir. Daniel Farrands [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2023/01/crystal_lake_amazon_1920x1080title.jpg?w=1024)
‘Crystal Lake Memories’ review: Dir. Daniel Farrands [Shudder Saturday]
Comprehensive is definitely a word that can be used to describe Daniel Farrands’ documentary, Crystal Lake Memories. Clocking in at just over six and a half hours, the film is an in-depth deep-dive into every chapter of Friday the 13th, including the television series and reboot. Read more
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![‘VHS 99’ review: Dir. Misc [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2022/12/vhs99_a052_c040_03-2c.jpeg?w=1024)
‘VHS 99’ review: Dir. Misc [Shudder Saturday]
Over the last decade the V/H/S anthology series has become a staple of horror viewing. Read more
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![‘Christmas Bloody Christmas’ review: Dir. Joe Begos [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2022/12/cbc_pr-still_8.jpg?w=1024)
‘Christmas Bloody Christmas’ review: Dir. Joe Begos [Shudder Saturday]
Christmas 2022 definitely appears to be the year of alternative festive films. Read more
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![‘The Cleansing Hour’ review: Dir. Damien LeVeck [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2022/12/cleansing-hour.jpg?w=640)
‘The Cleansing Hour’ review: Dir. Damien LeVeck [Shudder Saturday]
We’ve all seen plenty of films that deal with priests performing exorcisms. Read more
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![‘Possessor’ review: Dir. Brandon Cronenberg [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2022/12/possessor.jpg?w=1024)
‘Possessor’ review: Dir. Brandon Cronenberg [Shudder Saturday]
Hopefully you are settling down to read this review having already experienced Brandon Cronenberg’s sophomore project, Possessor, as it’s a film best viewed cold. Read more
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![‘A Wounded Fawn’ review: Dir. Travis Stevens (2022) [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2022/09/a-wounded-fawn-1.jpg?w=1024)
‘A Wounded Fawn’ review: Dir. Travis Stevens (2022) [Shudder Saturday]
In 2019, Travis Stevens, better known back then for producing films such as Cheap Thrills, Starry Eyes, and 68 Kill, stepped behind the camera to direct his debut feature, The Girl on the Third Floor. Read more
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![‘Depraved’ review: Dir. Larry Fessenden (2019) [Shudder Saturday]](https://filmdisclosure.com/wp-content/uploads/2022/11/depraved.jpg?w=1024)
‘Depraved’ review: Dir. Larry Fessenden (2019) [Shudder Saturday]
Filmed during the bicentenary of Mary Shelley’s classic novel, Depraved is a modern day interpretation of the Frankenstein story. Read more
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‘Top Gun: Maverick’ review: Dir. Joseph Kosinski
Released in the year 1986, Top Gun was the highest grossing film of that year. Read more
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‘Scream’ Review: Dirs. Matt Bettinelli-Olpin & Tyler Gillett
Wes Craven was a horror institution. The writer and director is responsible for some of the best known films within horror, Read more
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‘X’ Review: Dir. Ti West
Ti West has been consistently making some interesting strides within the horror genre since his debut feature, The Roost. Read more
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‘Moonfall’ Review: Dir. Roland Emmerich
Roland Emmerich has never exactly been a director that anyone could call subtle. Read more
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![‘We’re All Going to the World’s Fair’ Review: Dir. Jane Schoenbrun [Best of the Fests]](https://filmdisclosure.com/wp-content/uploads/2021/12/wf-key-still.jpg?w=800)
‘We’re All Going to the World’s Fair’ Review: Dir. Jane Schoenbrun [Best of the Fests]
Jane Schoenbrun’s feature debut, We’re All Going to the World’s Fair, has been travelling the globe on the festival circuit for the last few months now. Read more
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![‘Dinner in America’ Review: Dir. Adam Rehmeier [Best of 2021]](https://filmdisclosure.com/wp-content/uploads/2021/12/dia-main.jpg?w=800)
‘Dinner in America’ Review: Dir. Adam Rehmeier [Best of 2021]
It’s not very often that you have a film that sneaks up and catches you by complete surprise but Dinner in America, does exactly that. Read more
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![‘Father of the Flies’ Review: Dir. Ben Charles Edwards [Best of the Fests]](https://filmdisclosure.com/wp-content/uploads/2021/12/father-of-flies-1080x608-1.jpg?w=800)
‘Father of the Flies’ Review: Dir. Ben Charles Edwards [Best of the Fests]
Inspired by director and co-writer Ben Charles Edwards’ childhood, Father of Flies almost didn’t make it to completion. Read more
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![‘Slapface’ Review: Jeremiah Kipp [Best of the Fests]](https://filmdisclosure.com/wp-content/uploads/2021/12/slapfacefeat.jpg?w=800)
‘Slapface’ Review: Jeremiah Kipp [Best of the Fests]
Filmmaker Jeremiah Kipp appeared as an interviewee in Julie Kauffman and Paul Hunt’s documentary on grass roots horror The Brilliant Terror Read more
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![‘The Sadness’ Review: Dir. Rob Jabbaz [Best of the Fests]](https://filmdisclosure.com/wp-content/uploads/2021/12/sadness-20200818_dsc08012.jpg?w=800)
‘The Sadness’ Review: Dir. Rob Jabbaz [Best of the Fests]
Canadian filmmaker Rob Jabbaz spent 2020 in Taiwan creating his first feature film, The Sadness. The project, clearly inspired by the events of the world, was written in spring, shot in summer, and edited together in autumn, and is now touring the film festival circuit. Set in Taiwan during a pandemic, The Sadness sees the fictional Alvin virus Read more
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![‘Barbarians’‘ Review: Dir. Charles Dorfman [Best of the Fests]](https://filmdisclosure.com/wp-content/uploads/2021/12/barbarians_01_4web__large.jpg?w=800)
‘Barbarians’‘ Review: Dir. Charles Dorfman [Best of the Fests]
When watching Barbarians, you wouldn’t instantly believe that this is a first-time feature, Read more
